The Agent Apsley wrote

Home for the Weekend (2012) (originally Was Bleibt) is not, for me, a film that bears comparison with Woody Allen’s Interiors, shot just before Manhattan. In the introduction, we were told that films do not often show the lives of the German upper middle-classes, and, although this film may do so, it does not, largely, do so in a novel way, as if what it shows were, in itself, enough.

Allen’s film, too, has a mother with a history of mental ill-health and siblings gathering at the family home, one of whom is more put upon by being local, but the highly-strung mother in his family has not simply stopped taking medication as Gitte has - which just seems forced in reinforcing the pat belief that the only problems are when people are not compliant. What, more importantly, is very unsympathetic is the language, typified by talking about Gitte going nuts, whereas my fantasy about Germany is that there is far more acceptance, not least within this class, of mental-health issues and how to support those with them than in Britain.

In this film, for all that the characters just react badly to the news that Gitte stopped her medication, none of them seems either to appreciate her not wanting to be drugged so that she has no feeling, or that their concern at what she has done lacks any obvious meaning if they then go on to reveal that they have just been humouring her. She already feels that they have been pretending, and that she has no important say in anything, but it makes little sense to confirm it at this time.

We see the brothers angry and physical with each other over who is to blame for their mother, but they ultimately move on quite quickly to fulfil themselves away from home, which, sadly, seems to send the message that Gitte had been holding them back, and she is remembered largely as a source of recrimination between father and son. Allen's three sisters seem a little less slow to forget...